Grateful for all of the contacts and attention from Aditya Chakrabortty’s piece in The Guardian last week about what we’ve all been doing in Granby these past few years, here’s what I’m doing and interested in doing now.
I’m sat writing this in a café near to where I live. It’s ‘the third cafe’ on Greenbank Road, near its corner with Smithdown Road. Newly opened by Carole Fleck, who used to run Greendays off Lark Lane, and already somewhere that makes me happy.
I’m sat here sorting out my website so it says what I want about what I’ve done recently and what I’m interested in doing next. Writing in the brightening year, with the sense of renewed energy that always brings, about things I might do.
The day before Christmas Eve I wrote and photographed a poem called “Letting Go: A Quiet Breath” and the quiet days have continued here from then through to this new year of 2018.
These beloved souls are my three grandchildren: Finn, 3; Theo, 8, and Eleanor, 11. In the park with their parents, Simon, with Finn on his shoulders and my daughter Clare, who took the beautiful photograph.
A little later I’m on the other side of The Mystery, gazing up at the Moon.
The evening passes in quiet thoughts of what was good in 2017, what didn’t really work out and what might change as the year gets called 2018. We call these new year changes resolutions, but of course some of them are nothing of the sort. While we can all change stuff like what we eat, how much we run and, maybe, the work we do, much else that we’d like to happen is in the realm of wishes and dreams, like always.
Still, we can all change some of what’s immediately around us, so this morning finds us back at Sarah’s allotment, where we’ve spent several of these quiet days.
In the evening of the day, all work done, we sit down and we talk.
Maybe it’s because we’re in the dark time of the year, when the evening seems to last for half the day, that’s made me so conscious of evenings? Or maybe it’s because I’ve been reading a book? A bit of both probably.
Anyway, have you ever thought about how many evenings you’ve spent talking with the significant person or people in your life? Or about how much all the conversations you’ve had over all of those evenings with these people have contributed to who you are and the life you’re living? Well I have, and ‘a lot’ is the answer to both of these questions.
Evenings are the focus of my thinking and the title of what I’m writing here because they’re the time my significant person and I mostly spend together, our different jobs of work done for the day. We’ve been together, Sarah and I, for 25 years or so now and, minus time spent away working and on a few separate holidays, sea kayaking for example, that all multiplies up to about nine thousand evenings we’ve spent together.
Recently on here I’ve been writing about being self-employed and the kinds of work I do. About how much I like variety in the work I take on and the stress it caused me recently when I found myself doing too much of one thing.
So when I read this article by Owen Jones in The Guardian, suggesting that a four day working week could be good for our economy, our society and our health, I remembered.
I remembered that ever since I began leaving my day job in the mid-1990s and becoming self-employed one of my objectives in doing so has been to work less. Not that I don’t enjoy the work I do. I do, and one of the big things I’ve always gone on about is finding and doing the work you love. And I have, mostly. But a core part of living the life I’ve had over this last 22 years has been to have more time than I used to have for me.
Before we left Cornwall last weekend there was one last person and place we wanted to visit, Barbara Hepworth in her studio.
And to give you a sense of her and her place, this will matter later, here is how it describes itself:
“The Cornwall studio where Barbara Hepworth (1903-1975) found space to work, and explored bronze for the first time.
Barbara Hepworth married Ben Nicholson in 1938, and when the war came they evacuated with their young family to Cornwall. The Barbara Hepworth Museum and Sculpture Garden is based in the studio Hepworth established in 1949, in search of more space to work on her sculptures. After the war, and her divorce from Nicholson in 1951, Hepworth became an active figure in the developing St Ives modernist art community, and she was awarded the Freedom of St Ives in 1968 to acknowledge her contribution to the town. Trewyn Studio remained her studio until her death in 1975. Here she explored the potential of bronze for the first time, as well as continuing her work with stone and wood carving. ‘Finding Trewyn Studio was a sort of magic,’ Hepworth wrote, ‘Here was a studio, a yard and a garden where I could work in open air and space.’
The studio was established as the Barbara Hepworth Museum and Sculpture Garden the year after Hepworth’s death in 1975, and has been managed by Tate since 1980. Today, visitors to the Barbara Hepworth Museum and Sculpture Garden can see some of Hepworth’s most monumental sculptures in the environment for which they were created.”
It doesn’t look like that early on this March afternoon as I arrive in Blackpool.
But it’s still so very Blackpool though. Even on a damp Tuesday afternoon. Full of the memories of coming here all my life. Early days on the X61 Ribble Bus, before the 1965 blue Cortina arrived to bring us all here in style. Later still all of us from the Corpy Housing Department coming to ‘see the lights’ on a fleet of Corpy buses. Messing about in the Fun House then getting ourselves tucked into a very large pub and taking no notice of the illuminations at all. Golden days! Continue reading “In Blackpool: On The Left Coast”
Thought I’d be working today but, to my own surprise I got something finished a day earlier than expected, so? It’s Friday, the sky is blue, let’s go!
Not a particularly long Friday Walk in terms of miles this one, but it covers nearly 40 years of my life.
The terraced house in Wavertree where I’ve lived for 24 years now, the longest I’ve ever lived anywhere. On this walk we’ll be seeing where I first lived when I moved to the south of the city in the 1970s.
I’ve done this before on here, walking round the North and the South of the city taking photographs to roughly see how it’s doing on an ‘ordinary’ day. Meaning not some great holiday or special events day, but one where the streets and the people are just going about their business much like they always do. My favourite kind of day.
In fact I’ve been doing this ‘inspecting’ for years, since long before this blog. Reasoning partly that someone’s got to and it might as well be me, and also simply out of love for the place where I live. This particular week I’d been mostly working in London and so felt a particular urge to see how Liverpool was doing once I returned.
As you can see, our irrepressible Tommy Calderbank did eventually bring the sun out with the sheer force of his optimistic personality, but for the first couple of hours of today’s Africa Oye in Sefton Park it was a different and wetter story.
I needed Africa Oyé today. For various reasons to do with this being a blog and not a diary I needed the healing joy that this free festival has been bringing to my life for well over 20 years now. These have been tough weeks and it was time for some time for me.
If I were to count up all of the photographs on this blog, and I’m not about to, I suspect that not far short of half of them would be of Liverpool 8. The last week alone has seen three posts about the work we’re all doing in Granby, and I’m forever writing about the walking and working I’ve been doing in and around L8 these last forty years.
Which is why I so wanted to see this exhibition. A friend had told me about it during the 4 Streets Market on Saturday, and as it happened my ‘aimless walk’ the day after led me to the Pier Head to see the Dazzle Ship and then into the Museum of Liverpool to see ‘L8 Unseen.’The exhibition is a mix of historic photos by L8 residents and new work by Othello De Souza Hartley. So nothing you’re seeing here – apart from the obvious ones of the museum – is a photo by me. Continue reading “L8 Unseen”